{"id":18162,"date":"2015-12-14T10:49:23","date_gmt":"2015-12-14T10:49:23","guid":{"rendered":"https:\/\/vitrallsbonet.com\/lorigen-i-la-recuperacio-de-les-vidrieres-artistiques\/"},"modified":"2015-12-14T10:49:23","modified_gmt":"2015-12-14T10:49:23","slug":"lorigen-i-la-recuperacio-de-les-vidrieres-artistiques","status":"publish","type":"post","link":"https:\/\/vitrallsbonet.com\/ca\/lorigen-i-la-recuperacio-de-les-vidrieres-artistiques\/","title":{"rendered":"L’origen i la recuperaci\u00f3 de les vidrieres art\u00edstiques"},"content":{"rendered":"

Els inicis de la tradici\u00f3 vitralista<\/strong> del modernisme<\/strong> cal buscar-los en els darrers anys del segle XIX a trav\u00e9s de la continu\u00eftat per part dels artistes de la recerca dels efectes i particularitats dels vitralls als interiors neog\u00f2tics<\/strong> .<\/p>\n

En el seu aspecte formal, el vitrall modernista<\/strong> no guarda cap difer\u00e8ncia amb la tradici\u00f3 que el va precedir i la seva valoraci\u00f3 est\u00e8tica enfronta la pintura decorativa<\/strong> . Les qualitats de la vidriera<\/strong> s’estableixen en funci\u00f3 de la llum, la qualitat i el gruix de la capa de vidre i en funci\u00f3 de les t\u00e8cniques que s’han utilitzat per a la policromia.<\/p>\n

Els vitralls en el modernisme<\/h2>\n

Els vitralls del modernisme<\/strong> van fer els seus primers passos a Anglaterra i passaran a Fran\u00e7a i els Estats Units en ser molt del gust dels arquitectes. Els or\u00edgens d’aquesta recuperaci\u00f3 de les vidrieres<\/strong> a la d\u00e8cada de 1860 s’atribueixen als anglesos i l’exist\u00e8ncia de nombrosos tallers i f\u00e0briques de vidre<\/strong> . En aquest sentit l’her\u00e8ncia de William Morris, que va portar l’ estil de la pintura prerafaelita a la vidriera<\/strong> , va marcar la continu\u00eftat durant els primers anys del modernisme.<\/p>\n

\"CATHEDRAL<\/p>\n

El neog\u00f2tic angl\u00e8s havia recuperat l’expressi\u00f3 m\u00e9s revival i m\u00e9s primitiva de les vidrieres de Morris<\/strong> , hereves de l’esperit t\u00e8cnic i expressiu de la vidriera medieval<\/strong> . Va conferir als mestres vidriers<\/strong> l’oportunitat d’innovar en transpar\u00e8ncia i en individualitat, perqu\u00e8 cada aresta utilitzar\u00e0 les t\u00e8cniques d’una manera determinada. La decoraci\u00f3 floral i animal ja existia a les vidrieres prerafaelites. En aquesta \u00e8poca es fan vidrieres per a redeterminades grans catedrals franceses i angleses. El prerafaelisme i el g\u00f2tic angl\u00e8s influeixen a Fran\u00e7a.<\/p>\n

M\u00e9s endavant, a la d\u00e8cada de 1870, les vidrieres<\/strong> ja es van fer imprescindibles tant per a les restauracions<\/strong> com per a les noves edificacions en neog\u00f2tic<\/strong> . Cap a 1880 proliferen a Anglaterra els cat\u00e0legs que recomanen les vidrieres per a les cases<\/strong> . La vidriera pot substituir amb efic\u00e0cia la pintura per plasmar certes hist\u00f2ries, llegendes, poemes als castells medievals per l’ ambientaci\u00f3 i iconografia<\/strong> . A aix\u00f2 es va afegir l’elevada valoraci\u00f3 que van experimentar les arts decoratives com a mitj\u00e0 per crear atmosferes i ambients interiors<\/strong> .<\/p>\n

Aspectes formals i est\u00e8tics en el vitrallisme modernista<\/strong><\/h2>\n

Les vidrieres a partir del 1860<\/strong> es van fer m\u00e9s lluminoses<\/strong> que les medievals o les del renaixement i barroc. L’arquitecte franc\u00e8s i te\u00f2ric de les primeres restauracions d’edificis g\u00f2tics, Viollet-le-Duc<\/strong>, va escriure una s\u00edntesi de la lleis que regeixen l’art de la vidriera<\/strong>, amb una aspiraci\u00f3 arqueologista, analitzant els efectes del color sobre els ambients interiors: els colors c\u00e0lids avancen mentre que els freds el que fan \u00e9s retrocedir. La teoria de Winston que extreu dels seus experiments les lleis del comportament dels vitralls<\/strong> va exposar com donarien un resultat i sensaci\u00f3 d’apagades si no comptessin amb zones de llum transparents. Un espai interior es veur\u00e0 fosc i feixuc si presenta m\u00e9s ombres que la llum.<\/strong> Sens dubte la il\u00b7luminaci\u00f3 que atorguen els vitralls del modernisme<\/a> \u00e9s un dels aspectes m\u00e9s destacables per a la seva utilitzaci\u00f3.<\/p>\n

\"965748_576327112422233_655760305_o\"<\/a><\/p>\n

En la seva evoluci\u00f3 la vidriera va partir d’all\u00f2 m\u00e9s esquem\u00e0tic \u2013amb plaques de mida gran- i figures senzilles amb amplis camps de color pla. La forma de pintar els vidres<\/strong> es feia a base d’ \u00f2xids met\u00e0l\u00b7lics<\/strong> amb qu\u00e8 la gamma de color era limitada a blaus, grocs i vermells. El problema dels vitralls \u00e9s que hi ha certs colors que es mengen la llum, com \u00e9s el cas de vermell.<\/p>\n

\"10291791_653860628026447_5609222045131728318_n\"<\/p>\n

Per evitar aix\u00f2, el mestre vidrier buscava aconseguir la major transpar\u00e8ncia<\/strong> i tendia a fer fons blancs sobre els quals superposar plaques de vidre de color<\/strong> m\u00e9s estretes. Aquest sistema de plaquejat permet superposar dos colors diferents i es pot col\u00b7locar una placa vermella i una altra verda superposades o una blava i una altra blanca. Amb aquesta t\u00e8cnica s’intentava contrarestar l’opacitat dels vidres vermells.<\/p>\n","protected":false},"excerpt":{"rendered":"

Els inicis de la tradici\u00f3 vitralista del modernisme cal buscar-los en els darrers anys del segle XIX a trav\u00e9s de la continu\u00eftat per part dels artistes de la recerca dels efectes i particularitats dels vitralls als interiors neog\u00f2tics .<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[130,131],"tags":[20,21,22],"servicios":[],"vidrieras":[],"class_list":["post-18162","post","type-post","status-publish","format-standard","hentry","category-modernisme-ca","category-vidrieres-modernes-ca","tag-modernismo","tag-oxido-metalico","tag-vidrieras"],"acf":[],"yoast_head":"\nL'origen i la recuperaci\u00f3 de les vidrieres art\u00edstiques - Vitralls Bonet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vitrallsbonet.com\/ca\/lorigen-i-la-recuperacio-de-les-vidrieres-artistiques\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'origen i la recuperaci\u00f3 de les vidrieres art\u00edstiques - 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